The Rialto Reloaded

Hotel review originally appeared in Australian Traveller magazine, June 2009

Justin Wastnage inspects the long-awaited renovation of this Collins Street masterpiece that has artfully enclosed a classic Melbourne laneway, capturing it within a vast atrium of cool glass and warm steel.




Melbourne likes to think of itself as a bit cool. A bit European. And more than a bit above Sydney with its brash megabars and shiny temples to consumerism. So it was with some trepidation that I booked a room in the recently renovated Rialto hotel on Collins Street for a romantic weekend with my wife.

The publicity around the Joseph Pang-designed $60m overhaul, which saw the hotel close for 16 months as it swapped management from Le Méridien to InterContinental Hotels, talked of expanses of glass and steel; all very Sydney. Worryingly so. The charm of the Rialto lay in its quintessentially Melbourne laneway feel, chiefly because the communal spaces were situated in Collins Lane, which served as access way between the Melbourne Wool Stores and its office building. Yet it is the glass itself that absolutely makes the Rialto; the vast atrium that spans the laneway has been preserved largely intact as part of the renovations. The refurb has made better use of the openness and vertical space that a ten-storey glass ceiling affords. Natural light during the day is replaced by cool blue at night. Clean lines accentuate the long, narrow dimensions of the bar and restaurant area.

In truth, InterCon couldn’t have tampered with the atrium even if it wanted to. The two buildings that make up the present-day hotel were considered masterpieces even when the renowned St Kilda architect William Pitt finished them in 1891. The Federal Coffee Palace that completed Pitt’s Collins Street trio was the city’s tallest building and a showcase for the neo-gothic style that became known as Marvellous Melbourne.

As the city tore down some of Pitt’s other works (including the Coffee Palace to make way eventually for Melbourne’s new tallest building, the Rialto Tower), the National Trust slapped a preservation order on the hotel and its faux-Venetian façades.

The grandeur of the building adds to a sense of style as we arrive, fresh from one of Melbourne’s modern architectural triumphs, Southern Cross Station on Spencer Street. Yet once inside, you could almost be forgiven for thinking you were in a boutique hotel. The hotel lobby, such that it is, is tucked away inside the Winfield Building that was once the wool board’s office complex. Here ceilings are low, the concierge and check-in counters manned by effusive staff in smart uniforms.

Read the full review on the Australian Traveller website by clicking here.